08:21
25 Sep Casino royale poker scene analysis software

Casino royale poker scene analysis software

Casino Royale (2006). BondMovies.com goes through the game scene by scene here, explaining how Bond ultimately won the game despite Le Chiffre's faked bluff, however improbable. And if you wish to know exactly how improbable Bond's victory was, casino-games-online.biz explains his odds of winning at the beginning and during the course of play, here. In Hollywood movies however, these scenes are sensationalised at their best, making it quite hard to miss an obvious blunder or inaccurate series of events. One such movie, and I might be touching a nerve here, is the often hailed Casino Royale, usually found at the very top of the 5 best poker scenes in movies. In Casino Royale, 007 ended up in a tough game of poker with incredibly high stakes. To make this poker match as realistic as possible Thomas Sanbrook was called in to be responsible for training the actors in casino strategy and behaviour around the table. Did he succeed in doing this?

Casino Royale turns ten this year. The movie that remade Bond for the post-9/11 world, just as Goldeneye remade Bond for the post-Cold War era. It’s hard to imagine there are many people out there, especially those who are reading PokerTube, who haven’t seen Casino Royale.

Casino Royale Poker Scene Analysis Questions

For that one guy who hasn’t though: Casino Royale is the 2006 installment in the long running James Bond series about a British civil servant who travels the world solving crime by drinking too much, having sex, and murdering.

Directed by Martin Campbell (Goldeneye, The Green Lantern) who only ever seems fully competent when on the set of a Bond movie, and written by Neal Purves and Robert Wade whose Brosnan era movies felt as parodic as their spy spoof Johnny English. The twist this time round was Paul Haggis, of Million Dollar Baby fame and Crash infamy, who was brought on to go over the script as well.

Casino royale poker scene analysis questions

Film vs. Book

Originally based on the novels of Ian Fleming the Bond films veered off from being straight adaptations around the time of You Only Live Twice, by the 16th installment: License to Kill, they weren’t even using Fleming titles.

But with Casino Royale that changed with a new Bond – the best in fact (discuss) – for the new millennium. New in this case involved a return to the 1950s material that spawned him.

For some reason Casino Royale was never adapted by EON*, and is the only novel not to be used, even in title. But once they decided on a hard reboot, Casino Royale as the first of the novels, made perfect sense.

The book’s plot involves Bond being sent to the south of France to play baccarat against Le Chiffre, brothel owner and treasurer of SMERSH (the KGB wet work squad against whom Bond is frequently pitted).

Once the preliminary hour or so of international detective work is done, the film settles into the book’s plot, adapting the material and bringing it up to date and adding a little more style. France is moved to Montenegro, baccarat become Texas Holdem, and brothels become the international stock markets. As an update of the book the film works pretty well. Even when they took the deeply unsettling carpet beater from the book and turned it into a wince inducing knotted rope.

Film vs. Film

Although EON didn’t adapt the novel previously, the US television show Climax! (a title, not an imperative) did do an episode based on it starring American secret agent Jimmy Bond; and a star studded spoof in 1967 had numerous actors including David Niven and Woody Allen playing Bond opposite Orson Welles as Le Chiffre.

Whether or not Casino Royale (2006) stands up as a remake, I’ll have to leave for another review.

Bond vs. Bond

More importantly than the odd one offs of Climax! And Welles, Casino Royale comes in a long line of Bond movies, and it does a credit to the series. Second best Bond film ever in fact as per my objective and uncontroversial list: Skyfall, Casino Royale, From Russia With Love, License to Kill, and OHMSS for the top five. Obviously.

Using its role as reboot it roots all the well worn Bond tropes in the narrative. He wins the DB5 in a card game, and the other Aston Martin makes perfect sense as part of his cover. His affairs are a way of keeping things uncomplicated in a job where the minute he falls properly in love with someone he breaks a record for how many times he can completely roll that Aston Martin. They even get a punchline out of the shaken, not stirred thing, and save both ‘Bond, James Bond’ and the John Barry them for the air-punching final seconds of the film.

It plays knowingly with audience expectations in that regard, and marked Daniel Craig out as his own Bond, while paying tribute to the old films. Sadly, it made a promise in that regard, that the later Craig films, whatever their other merits, were unable to fulfil.

A large part of the reason for the stripped back nature of the film was, like Moonraker before it, Die Another Day had almost killed the series with its ludicrousness. A return to basics was called for, not least because Bond had competition. Always a mirror of contemporary cinema, Bond did what he always does and imitated them.

Bond vs. Bourne vs. Batman

The two set texts which remade the blockbuster action movie in the early noughties were Paul Greengrass’ 2004 Bourne seque

The Bourne Supremacy, which sold us ‘realistic’ action and an anti-Bond who conducted his international espionage with a minimum of technology, a lot of cunning and his fists.

Bond decided to follow suit, having the old writing team of Neal Purves and Robert Wade strip down the scale of the action, and throw out Q. For good measure, EON had Oscar award winning screenwriter Paul Haggis come in for the rewrites, just to be sure.

The year after Supremacy, Batman Begins came out with idea driven action and the origins story of its newly ‘realistic’ hero who conducts domestic espionage with actually quite a lot of gadgets, but also plenty of his fists.

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Here too, Bond followed suit, giving us an inexperience, rawer, rougher Bond fresh off winning his double-oh status and still having to learn to be ‘part hitman, part monk’. He is constantly being told off for killing people he should have been smart enough to bring in alive, because unlike Batman and Bourne, punching is not his style if he can possibly just murder someone.

The following films failed to follow up on these aspects of Casino Royale. Skyfall was too busy trying to be The Dark Knight Returns, and Spectre